articulating the artist’s vision

Artists embody ingenuity and—equally important—hard work. Understandably, they pour most of their most of their creative energy into their work, which means that writing about their work may not be a top priority. Or, their immersion in their practice may make it hard to write objectively and critically about their work. That’s where I come in. Below are some specific ways I’ve worked with artists, which is one of my favorite things to do. Take a look below, and please contact me if you’re an artist looking for some writing assistance. I also have created a resource for artists who prefer to DIY their statement, available for download.


artist statements

An excellent artist statement is perhaps the most important tool in the artist’s marketing toolbox. Through my work in museums, I have been writing about artists for many years, so I have a good sense of what to highlight, how to articulate complex content for lay audiences, and how to anticipate what types of questions gallery owners, collectors, and grant reviewers may have about the work. It’s important for the artist’s own voice to shine through in the statement; I serve as the advisor and ghost writer while making sure that the statement is authentic to the individual. All of this can be accomplished in an easy process and kept to one concise page.


artist bios

A bio can be incorporated into the statement or it can stand alone. Because some types of applications require a bio, having one available is a good idea. Typically less than a page, the bio highlights relevant aspects of the artist’s background as well as accomplishments and information about exhibitions, collections, and awards. This is the narrative version of the resume. I have extensive experience helping artists write bios that are compelling, concise, and highlight the right kinds of details. Good bios take a lot of detailed information and craft it into a compelling story.is the companion piece to the statement.


grants, fellowships & applications

When you’re applying for a grant, a fellowship, a residency, or other type of award, it’s crucial to have well written and polished application materials. I have worked with artists to develop standard materials, like statements and essays, that can then be adapted for each particular application. Since I’ve been a curator, grant reviewer, and exhibition juror, I know what the reader looks for. I also understand the importance of answering the specific questions asked and following all instructions to the letter—a sometimes overlooked step that can make or break an application.